Tactless, Stupid Or Just Plain Racist? You Decide.
You really have to wonder what goes on inside the heads of those running the Palestinian Solidarity Campaign.
Do they sit around in a circle arguing about “what is the best way to be offensive towards Jews?”
“Ahh, yes, we’ll stage the play again”
“That’s sure to get up their noses”.
You could almost imagine that exchange taking place, as the PSC, rather inappropriately, has decided to stage at the London Polish centre in Hammersmith, Seven Jewish Children:
“PSC would like to invite you to add a twinkle of merriment to your December days and come and enjoy an evening of theatre, poetry and music with us.
We’ve got a great night lined up, including a performance of Seven Jewish Children by the acclaimed playwright Caryl Churchill. This short play is a moving reflection on Israel’s attack on Gaza, and was first performed at the Royal Court Theatre, London, in February 2009. PSC is delighted that West End and television stars, Anna Carteret, David Calder and Andrew Jarvis will be peforming the play for us at our Winter Concert.
Date: Tuesday 7 December
Time: 7pm (ends 9.30pm)
Venue: The Polish Centre, 238-246 King Street, Hammersmith”
But if you were to try and remind the PSC leaders of their racist thinking and why of all places the Polish centre might be avoided, I don’t think they’d get it.
Years of the constant drip drip of “Anti-Zionism” has made them all, but insensitive to any manifestation of anti-Jewish racism, particularly their own.
Readers may want to refresh themselves with my previous post on that nasty racist play by Caryl Churchill:
“Shorter version, if you wouldn’t accept a nasty racist play about Blacks full of odorous stereotypes, then why is it acceptable to do the same where Jews are concerned?
If you wouldn’t do the former but have no problem with the latter then you are probably closer to the BNP’s way of thinking than you’d like to admit. A point to think about.”
(H/T: Richard Millet.)
Update 1: Dave Rich and Mark Gardner from the CST dealt with the racism embedded in this nauseating play in 2009:
“Seven Jewish Children is not a play about Israel. It was written by Churchill as a “response to the situation in Gaza in January 2009”, but it is a play explicitly about Jews. Her response to Gaza is to accuse Jews of having undergone a pathological transformation from victims to oppressors. The play comprises seven brief scenes, of which the first two are generally taken to represent the Holocaust, or perhaps pogroms during an earlier period of antisemitic agitation; in other words, they take place in Europe, before Israel even existed. It is Jewish thought and behaviour that links the play together, not Israel. The words Israel, Israelis, Zionism and Zionist are not mentioned once in the play, while Jews are mentioned in the title and in the text itself. We are often told that when people talk about Israel or Zionists, it is mischievous to accuse them of meaning Jews. Now, we are expected to imagine that a play that talks only of Jews, in fact, means Israelis.
In the first two scenes, it is Jewish “uncles” and “grandmother” who are killed, despite approximately one and a half million Jewish children having perished in the Holocaust. Whereas it is elderly Jews who are killed, the Jews’ victims are overwhelmingly depicted as children: there are two mentions of dead adults, namely “Hamas fighters” and “policemen”, but seven of dead children: “the boy”, “the family of dead girls”, “babies” and “their children covered in blood”. The play lands its blows in the final two scenes, culminating in a monologue of genocidal racist hatred: “they’re animals … I wouldn’t care if we wiped them out … we’re chosen people.” “